2nd Roger Stern Interview

For this interview I went into full fanboy mode. As I mentioned in my last Roger Stern interview, Roger’s was my favourite writer as a kid and I was happy that after many years of not working for Marvel he was writing for them again. I pretty much used this interview to help promote his upcoming work as I was worried that his ‘star power’ had dwindled since the 1980s and his work wouldn’t sell.

 

An Interview With Roger Stern

Roger Stern has been working in the comic industry for a long time, lately he’s been doing numerous special mini-series for Marvel Comics. I had the pleasure of interviewing him back in May of 1998 and decided it was time for an update. In this interview, he talks about what he’s doing now, in the future and what might have been. Enjoy!

 

Jamie: The first issue of AVENGERS TWO starring Wonder Man and the Beast just came out. What was it like working with penciler Mark Bagley?

Roger Stern: Great fun! I’d briefly worked with Mark before — on an 11-page story for IRON MAN #21 — but this was our first opportunity to collaborate on a longer piece. And if you liked the first issue, just wait’ll you see #2 and #3!

 

Jamie: For those of us who didn’t read the end of the Wonder Man series, what was it that Simon Williams did that was so bad and needed cleaning up?

Roger Stern: Well, Simon blames himself for the deaths of a couple of people … there are some other folks to whom he inadvertently gave super-powers (which messed with their lives greatly) … and then, there’s the matter of the woman he was engaged to marry! He died before he could come to terms with any of that. So now that he’s back, there’s just a wee bit of business to settle. But you’ll find out all you need to know by reading AVENGERS TWO.

 

Jamie: My understanding was the original plans for MARVEL: THE LOST GENERATION was to re-write ‘Marvel time’ to fit in to a 7 year period. Why was that scrapped?

Roger Stern: You misunderstood. There’s no need to re-write time. Marvel has operated under a sliding time scale, since long before I first started working there in 1975. In fact, it’s that sliding time scale that made LOST GENERATION possible.

 

Jamie: Where did the idea to turn the Marvel Universe series into a series exploring Marvel’s hidden past come from?

Roger Stern: That was the idea right from the start — Tom Brevoort’s idea, to be specific! — and a pretty good one, I thought.

 

Jamie: Will MARVEL: THE LOST GENERATION have only previous Marvel Characters or will there be some new ones in the series?

Roger Stern: Previous, in the sense that their careers pre-date the origin of the F.F. — new, in the sense that you’ve never seen them before. Unless you go ‘way back and remember the Eternal Brain!

 

Jamie: Okay we know that AVENGERS INFINITY is a follow up to the very successful AVENGERS FOREVER you wrote with Kurt Busiek. So what is AVENGERS INFINITY all about?

Roger Stern: It’s about four issues long. It’s about a select group of Avengers who are specially assembled to deal with a serious threat from beyond the farthest star. It’s written by me, penciled by Sean Chen, and inked by Scott Hanna. And since the first issue won’t go on sale until July, it’s a little premature to say anything else about it … except that it’s never to late to start bugging your favorite comics retailer to carry it.

 

Jamie: Do you think there will be another series after AVENGERS INFINITY?

Roger Stern: You mean, spinning off from the events of the series, the way that INFINITY spins off from FOREVER? Maybe. But that’s really in the future!

 

Jamie: Tell us about this new GREEN GOBLIN mini-series you’re doing with Lee Weeks.

Roger Stern: The working title is SPIDER-MAN VS. the GREEN GOBLIN. It’s three issues long, and Lee will start penciling it as soon as he finishes his DOCTOR OCTOPUS project. And, as it won’t go on sale until the end of August, I’m not going to say much more about it … except that it focuses mainly on Norman Osborn, and it will have some serious effects on issues of the regular SPIDER titles which follow it!

 

Jamie: You mentioned that some of your unused MARVEL UNIVERSE stories were to be used elsewhere. Do you have anything else from the series that can still be printed?

Roger Stern: Yes, there’s a DOCTOR STRANGE story which Neil Vokes has penciled. As soon as I get some breathing space in my schedule, I’m going to script it. Then, it’ll be Tom Brevoort’s job to find some way to get it into print! Oh, and elements of a rough idea I had for a Sub-Mariner/Yellow Claw encounter will be turning up in LOST GENERATION.

 

Jamie: Can you tell us about any proposals that you have given to Marvel for either comic books or novels?

Roger Stern: There aren’t any. I’m lucky to be too busy to turn out proposals these days.

 

Jamie: Have you been offered any titles that you turned down? If so, why?

Roger Stern: Years ago, I was offered POWER MAN & IRON FIST, but didn’t have the time. I was also offered the last six issues of CAPTAIN ATOM at DC; but since I loved the old Charlton series and didn’t care for the DC version of the character, I passed. I was also offered the NEW WARRIORS some years ago, but — as there’d been about fifty issues of the series at the point, and I’d never read single one — I figured that I wasn’t the best qualified for the job. Oh, and I recently had to pass on writing a few issues of PETER PARKER: SPIDER-MAN … just had too many prior commitments.

 

Jamie: Would you work on a Marvel Knights title if it were offered?

Roger Stern: I never say never. It would depend on the project, the artist, and the schedule.

 

Jamie: Since you and Busiek are good friends, one has to wonder if you’re going to do a creator-owned series through the GORILLA imprint at Image?

Roger Stern: I’d love to, but I haven’t been asked.

 

Jamie: You did the scripts for the original SPEEDBALL series, would you like to do another series on him?

Roger Stern: Gee, that was so long ago. I really haven’t followed the character since I scripted those stories. I hear they changed his costume a couple of times.

 

Jamie: Any changes to the Photon/Captain Marvel name situation? You said you didn’t want her name to be changed.

Roger Stern: I didn’t want her name to be changed from Captain Marvel. I do want it changed from Photon. I have some ideas along those lines.

 

Jamie: I heard that before you left the AVENGERS in the mid 80’s you planned on doing a story with Iron Fist. Is this true and were you going to make Iron Fist an Avenger?

Roger Stern: Couple of things wrong there. I didn’t leave the AVENGERS — I was fired! And my plan was to write a story featuring Power Man, not Iron Fist (who was fairly dead at the time; it was only later that he got better). Whether or not Luke would have become an Avenger, I can’t say.

 

Jamie: I recall reading that your Wife Carmela was writing some Legion stories uncredited when you were doing the Legion books. Does she want to do more comic book writing?

Roger Stern: Actually, Carmela assisted Tom McCraw and me in co-writing LEGIONNAIRES from shortly before issue #50. And I had just about gotten DC to agree to give her a rate and a real credit before there was an editorial shift. If not for her help and support, I probably would have left the series after the Mordru story. She’s pretty busy these days with volunteer work to do much more than proofread my stories, which is a shame.

 

Jamie: Last time we had an interview, you mentioned having a number of pet snakes. How many do you have and which ones are your newest?

Roger Stern: Sixteen, not counting the babies. The newest is actually the oldest as well … a 30-year-old ball python, whom we adopted when his owner passed away. He’s a mellow old gent. We hope he has many happy years ahead of him.

 

Jamie: Who are your inspirations?

Roger Stern: I always liked Roy Orbison.

 

Jamie: What do you do when you’re not writing comics?

Roger Stern: I read, though not as often as I’d like. I hit the health club three days a week, and with the hint of warmer weather in the air, I’ll soon be hitting the pavement more often. (The simple act of walking is one of life’s great pleasures.)

 

Jamie: Anything else you’d like to tell the world?

Roger Stern: Read more and take time to smell the roses.

Kurt Busiek Interview

Originally published December 1998. This is the first of I believe 3 interviews I did with Kurt. He was my favourite writer during this interview. He’s still one of my favourites today.
 

Kurt Busiek 2009 San Diego Comic Con

Kurt Busiek 2009 San Diego Comic Con

An Interview with Kurt Busiek

 
Kurt Busiek is the hottest writer in comics today. Currently his busy schedule includes mega hits like Avengers, Iron Man, and Avengers Forever, the successful new comic Thunderbolts, and his critically acclaimed Kurt Busiek’s Astro City. Now on with the interview.

 

Jamie: I’m told writing Iron Man was one of your dream jobs. How do you think you’re doing on the title so far?

Kurt Busiek: I’m really not the guy to review my own work; I have no perspective on it. I’m certainly having fun, and I don’t think I’m screwing up too bad. I generally see more faults in my own work than virtues, but that’s not a bad thing, since it means I’m always trying to improve. But I’m reasonably pleased.

 

Jamie: Why did you ask Roger Stern in particular to help you with Iron Man and Avengers Forever?

Kurt Busiek: Aside from the fact that he’s a terrific writer, Roger and I collaborate well together, Roger’s sensibilities and mine are close enough so that we’re pulling in the same direction, as it were, and Roger’s got great strengths in continuity and research, which is a big help on FOREVER.

 

Jamie: Out of curiosity, was there a request to have someone (Jerry Ordway) fill in a few issues of Avengers for you and George Perez?

Kurt Busiek: There was certainly pressure from above to get the books back on schedule. Tom and George and I discussed it, and we realized that the only solution that would work swiftly was getting someone to fill in. Tom had been wanting to get Jerry to do something for him, so it looked like the obvious choice.

 

Jamie: What do you think makes Avengers and Iron Man the success it is today?

Kurt Busiek: I would hope it’s that they’re solid, accessible, exciting superhero comics that deliver an enjoyable package in every issue, without making you wait until next month to see if you liked what you just read. That’s certainly what I’m striving for.

 

Jamie: Why did you choose to take Hawkeye out of Avengers and into Thunderbolts?

Kurt Busiek: I can answer that, but not for a few weeks. The story’s not over yet, and I won’t spoil how it wraps up.

 

Jamie: Why did you have Baron Zemo pull the plug on Thunderbolts deception so quickly?

Kurt Busiek: I didn’t see any reason to drag it out until people were sick of it. I thought it’d make more sense to play with the deception for a while, and then change direction when people weren’t expecting it — it’d be more surprising that way.

 

Jamie: What makes Thunderbolts unique from other ‘villain go straight’ comic books?

Kurt Busiek: Depends on the book, I’d say. In SUICIDE SQUAD, they were being forced into it. In LIBERTY PROJECT, they were being reformed by the authorities. In THUNDERBOLTS, what they do is their own choice. They haven’t fully gone straight yet, and may never do so. The book could just as easily turn back into a book about a group of villains, after all — so I think its unpredictability is a big part of it.

 

Jamie: Describe how you write Astro City differently than your Marvel titles?

Kurt Busiek: Well, I write it full-script, for one thing. But beyond that, it’s not an easy answer — not because there isn’t much difference (there is!) but because it’s not something I find easy to articulate. The Marvel titles operate off of the basic question. “What happens next?” ASTRO CITY doesn’t — its basic question is more, “So, how do you feel about that — ?” The Marvel books are the best examples of the superhero genre I can muster, while ASTRO CITY is exploring the genre and its implications, and seeing what can be done with it beyond general genre expectations. That’s not to say that AVENGERS, IRON MAN and T-BOLTS don’t defy expectation — but I’m trying to tell good, fun, involving, exciting superhero stories in those books. In ASTRO CITY, I’m looking to see what else I can do with the superhero as a story vehicle. I hope that makes some sort of sense.

 

Jamie: Why do you choose to write Astro City using unrelated short stories?

Kurt Busiek: They’re all related, in the sense that they take place in the same context and build a history that affects what takes place within it. But I don’t see any other way to do it — if I picked one set of leads and followed them on an ongoing basis, it wouldn’t be ASTRO CITY, it’d be HONOR GUARD, or JACK-IN-THE- BOX, or SAMARITAN, or whatever. Being able to jump from protagonist to protagonist gives me much more freedom to explore the genre through different viewpoints and different conflicts, to tell a variety of human stories by focusing on different humans, depending on the story I want to tell.

 

Jamie: Astro City has a unique perspective on superheroes. How did you develop it and what is your philosophy regarding it?

Kurt Busiek: I thought about superheroes for twenty-plus years, mostly. I’m not really sure what you mean by my philosophy regarding my perspective on superheroes; I don’t know what such a thing would be. But I see superheroes, as a concept, as a rich metaphorical genre in which ideas, conflicts and more can be personified by iconic beings, and the human experiences they resonate with can be played out on a broad, almost fairy-tale like canvas in a way that can’t quite be done with any other genre. This fascinates me, so ASTRO CITY is my way of creating a context in which I can play with that idea and see what can be made of it, without limiting myself to a single character or group of lead characters. It’s an engine of exploration. I don’t think that’s what you were asking, but maybe the answer’s in there somewhere.

 

Jamie: Would you prefer to do Astro City on a monthly or bimonthly schedule?

Kurt Busiek: Monthly.

 

Jamie: Now that Astro City is being done “under” DC Comics will there be any advertising within or changes to the paper stock?

Kurt Busiek: There’s always been advertising in ASTRO CITY; I can’t see why DC would change that. The paper stock has changed several times, too, depending on what paper balances economy and good reproduction best at any given time. Image had its economies of scale and used gang-bought paper over most of its line, and ASTRO CITY used whatever the “standard” was at the time. I assume that’ll be the same at DC, and any changes will be dictated by DC’s line-wide choices.

 

Jamie: Why do you bring back a lot of largely forgotten characters in your Marvel titles?

Kurt Busiek: Why not? I like ’em, and if I have fun stuff I can do with ’em, why not do it?

 

Jamie: How do you feel about writers changing the history of Marvel characters?

Kurt Busiek: Writers have been changing Marvel history at least since Stan Lee retconned Captain America disappearing toward the end of WWII and Bucky dying into Cap’s history in AVENGERS #4. I don’t object to it in principle — I’ve done a bit of it myself, here and there. What matters is what comes out the other end — is it good or bad? And that’s a subjective judgment that each creator, editor or reader is likely to have his own views on.

 

Jamie: Some people don’t think continuity is all that important and should be disregarded in order to get new readers. Do you think maintaining accurate continuity is important?

Kurt Busiek: I like exploring the characters’ histories, so I think it’s valuable for them to have a consistent history to explore. But I don’t see it as a necessity — certainly, there are plenty of great MICKEY MOUSE stories without much story- to-story continuity, and even wild shifts in tone and setting, as Mickey might be a young suburbanite in one story, a daring barnstorming pilot in another and a sorcerer’s apprentice in a third. There are many, many ways to tell good stories, and a consistent continuity is only one of them. I like it, myself, but it’s a choice, not a rule.

I do think that the publisher of a shared-universe line of titles should make a choice as to how continuity will be treated, so that choice can be consistent across the line instead of varying from creator to creator — but then, I guess that, too, is a choice…

 

Jamie: How much research did you do before starting your Marvel titles?

Kurt Busiek: Tons. I filled in the gaps in my collection so that I have complete runs of AVENGERS, AVENGERS WEST COAST, CAPTAIN AMERICA, IRON MAN, THOR, WAR MACHINE, WONDER MAN, THUNDERSTRIKE, MS. MARVEL, VISION/SCARLET WITCH and just about every other series that could be considered part of the “Avengers” family of titles. Then I reread them all, and keep them all close to hand for easy reference.

 

Jamie: In your opinion, what does a story need to be successful?

Kurt Busiek: Define “successful.” If you mean, what does a story need to be aesthetically satisfying, I think it needs to be well-structured, involving, with characters you can be drawn to care about struggling for something that matters, and it should reach a conclusion that seems fitting, even if the characters fail. It should be well-crafted and have some emotional resonance, and should deliver whatever effect the creators intended, whether that effect is instilling a particular theme or intellectual idea, or merely evoking a memory of a particular time and place.

On the other hand, if you mean, what does a story need to be commercially successful, that’s something that varies depending on the audience. Cool poses and lots of detailed inking could be enough one year, and a dismal flop in a later era.

 

Jamie: Have you ever re-read something you wrote and hated it? If so, what?

Kurt Busiek: Sure. I did an Arsenal story in SECRET ORIGINS that I thought was nicely understated in the script, but none of it worked on the page; it’s flat, bland and empty. I think SPIDER-MAN/X-FACTOR: SHADOWGAMES is a wretched mess. But in both cases, I tried my best under the circumstances, and just missed the ball. It happens.

 

Jamie: What comic books do you read?

Kurt Busiek: Tons. These days, favorites include KANE, USAGI YOJIMBO, SUPERBOY, SAVAGE DRAGON, CASTLE WAITING, MAISON IKKOKU and AKIKO, to name a few.

 

Jamie: What do you think is necessary to bring comic sales back to it’s former glory?

Kurt Busiek: I think we’ve got to do good, accessible stuff that’ll appeal to whatever audience it is we’re choosing to shoot for, we have to package that material in a format that target audience is willing to pick up and look at, we have to sell it in places that target audience actually shops, and we have to promote it in such a way that the target audience knows its there. I think this means rethinking the packaging and distribution of comics, as well as the content — it’s no good trying to attract more women by beefing up the romance content in a standard superhero comics and assuming that women will come flooding into comics shops to buy a product they’ve never been interested in and don’t, on the surface of it, have any interest in now, just to discover that there’s some minor alterations to the material that they might like if it didn’t come wrapped in spandex and fight scenes. I don’t see any reason to cling to the 32-page pamphlet, to gear everything for the audience that comes into comics shops first and foremost, or to assume that there’s any one approach that’ll please all audiences. Hundreds of thousands of readers buy FOR BETTER OR FOR WORSE and CATHY collections — those readers are just as much comics readers as fans of SPAWN and HULK. And there are more of them.

However, I don’t expect publishers to do the kind of drastic rethinking and retooling it would take to produce mass-market-friendly comics packages; it’s very expensive to do so, and nobody wants to risk that kind of capital these days.

 

Jamie: Do you ever get the urge to write something that doesn’t have to do with superheroes? If you wanted to write within another genre what would it be?

Kurt Busiek: Sure. In the past, I’ve written JONNY DEMON (fantasy adventure), RANSOM (high adventure), WIZARD’S TALE (fantasy), MICKEY MOUSE (funny animals), VAMPIRELLA (horror), ELVIRA (humor) and more. I love superheroes, but that doesn’t mean I’d never want to write anything but superheroes.

I’d like to write all kinds of stuff, from space opera to mystic adventure to slice-of-life human drama to historical comics and more. I like telling stories, and there’s all kinds of stories to tell; why limit myself?

 

Jamie: Not including the artists you’re working with now, what artists would you like to team up with in the future?

Kurt Busiek: There are plenty of them, from Jerry Ordway and Alan Davis to Stu Immonen and Walt Simonson, from Lee Weeks to Alex Toth, Steve Leialoha, Bruce Timm, and countless others.

 

Jamie: Do you like to read novels? Do you have any favorite authors?

Kurt Busiek: sure. I’ve been reading since I was 3, and I’m not done yet. Favorite authors include Nevil Shute, Walter Tevis, Lawrence Block, Dick Francis, Madeleine L’Engle, James Thurber and more.

 

Jamie: Do you have any desire to write a novel or a screenplay?

Kurt Busiek: Sure, someday — not that I have any time at the moment…

 

Jamie: I hear your going to be a daddy soon. When is the baby due?

Kurt Busiek: December 7th.

 

Jamie: Superhero books often shy away from having characters turn into parents, and then having them raise their kids over the long haul. Do you think superhero books ought to explore this area of life?

Kurt Busiek: I don’t think it’s a question of “ought to.” Superhero comics have no particular responsibility to do so, though FANTASTIC FOUR comes to mind as a book that’s dealt with that area for decades now. I think that if writers can get good stories out of it, then great — but if they’re not interested there’s no reason to push them into it. At both of the major, long-lasting hero universes, they have a policy about time crawling along very slowly to keep the characters young, which makes it very difficult for babies to age normally — every year Franklin Richards grows is another year older the X-Men and Spider-Man get, and Marvel would rather keep those characters young, for commercial reasons. So there are logistical problems in the major universes; it might be easier to explore in a continuity that doesn’t have this kind of time policy. I’ve touched on the subject in ASTRO CITY, and I’m sure I’ll return to it in the future; I set the time policy there, after all, so I don’t have to consider the repercussions of my decisions on the stories and series of other writers…

 

Jamie: You used to be a well known letter hack. Has the urge to write a letter and see it printed disappeared?

Kurt Busiek: Pretty much. Writing stories and having them printed is a much bigger thrill.