Baltimore Comic-Con 2022

Baltimore Comic-ConSo, I went to Baltimore Comic Con, which is a first for me. A few weeks prior to the convention was a Funeral Home convention also being held at the Baltimore Convention Center. My day job is doing tech support for an IT company that makes specialty software for Funeral Homes. Several of my co-workers went to the convention and when they got back I asked them about Baltimore, good restaurants, etc.. and well, didn’t get encouraging answers.

I got told that the area is fine during the day but at night gangs come out on dirt bikes, wearing ski-masks and guns. I was told it’s best to not go out at night, but if you do, go in a vehicle or walk in groups. I was told a nearby Sandwich shop was held up at gunpoint at 8pm while they were there. I was told the Funeral Home convention (which moves to different cities) only got 1/3rd of the attendance it normally gets. I never got too much in the way of specific restaurant recommendations.

I decided to follow through and go despite these less than enthusiastic experiences. I originally was thinking of flying down, but the only nearby airport that went to Baltimore was in Toronto (everything else went to Washington) and between the drive to airport, getting there 3 hours ahead of time (like they recommend), flying and then getting from the airport to the Hotel was going to take me 7.5 hours – if the flight left on time. When I went to San Diego in July the flight was delayed 1 hour going down and 3 hours coming back. According to google maps driving down would take me 7.5 hours (+ stops for gas/food/bathroom breaks) so I decided to drive it instead. The cost of gas & hotel parking would be less than the flight and airport parking. The drive was fairly simple going south on I-81, then on I-83 and the hotel was only a handful blocks from where I-83 ended.

I made it to Baltimore in about 8.5 hours. I stayed in the Baltimore Marriott Inner Harbor at Camden Yards. I usually have good experiences in Marriott hotels, but my hotel room had a very stiff door which was difficult to get open. It also had the smallest, oldest TV I’ve ever seen in a hotel. The hallway light and a 2nd light in the bathroom would randomly come on hours after turning on the light. The mattress for the bed was softer than most I’ve slept on which was a good thing. The pillows were smaller than usual but that didn’t matter. I found the toilet to be lower to the ground then normal, which made my not very flexible body groan when using it. The A/C was a little noisy, but that didn’t bother me when I took out my hearing aids. There was also a light from one of the alarms that would flash every few seconds after the lights were turned out. In short, if you are saying at this hotel, don’t get room 816. I did let the hotel know about these issues.

Late Thursday afternoon, I went to Pickles Pub for dinner. While the food was good I was a bit surprised by the plastic cup for the drink. The next morning I went to Kerbie’s Grill for breakfast. The French Toast supposedly on Texas Toast bread, was more like thin sliced bread. It was served on a paper plate and with plastic cutlery. I went to the Jimmy Johns chain beside the convention for a sub for lunch. They told me they couldn’t do a little john sub, so I had to get the more expensive regular size and they also didn’t ask me anything about the sub and just handed it to me quickly. I found it had a ton of mayo on it and there wasn’t any napkins available anywhere. Everywhere I went for food outside of my hotel near the convention that has a 4.something rating on google maps had more of a 3.something dining experience. I don’t know if all of Baltimore is like this, but if so they must generate a LOT of garbage with all the single use items. The hotel restaurant (called The Yard) was good for food off the menu. The only issue I had was the breakfast buffet pancakes, which were horrid. They also had a place that served individual thin crust pizza’s that was decent.

The convention itself was pretty great. I got in and got my press pass with ease. When I arrived at 1pm (start time) I noticed a long lineup, but a volunteer told me with my press pass I didn’t need to wait or get a wrist band like the paid attendees. I went to one panel that got to a late start and ran a little long (From Skartaris to Danger Street). There was no panel in that room afterwards so it wasn’t affecting anything, except for my ability to get to the next panel on time. But that wasn’t a problem in this case as it was a Jim Starlin spotlight panel, which I had witnessed and recorded at San Diego back in July. The Danger Street panel was a great panel and I wish there were more like it as it was a deep dive into a particular short-lived series. There was a lot of inside stories about the various issues, what went on in them, the creative people doing them and more.

The rest of my experiences doing panels was pretty good except for the Frank Miller spotlight panel. I went to it but Frank was very late, showing up just as the panel was about to end. They had an art auction going on in the room afterwards and they moved it to later to give Frank his panel. If you’ve seen Frank lately, you’ll notice he has health and mobility issues. We are lucky that he shows up at conventions at all, so I’m not complaining. I unfortunately had to leave as there was another panel I wanted to attend that I would have missed if I stayed for Frank’s.

One of the reasons I wanted to go to Baltimore Comic-Con was to do some shopping for myself. I’ve been mainly going to TCAF and San Diego Comic Con for several years now. TCAF isn’t the type of show for back issue shopping as it’s focused on alt/indy/kids books. There has been a reduction of Gold/Silver/back issue dealers at San Diego and they generally charge higher prices because of the expense of doing the show. I’ve also gone to a number of relatively local shows that do have back issues (Toronto, Montreal and Ottawa) but it’s mostly the same dealers with the same stock. I was hoping for something better at Baltimore and it delivered. There were lots of dealers there, selling some of what I’m looking for at decent prices. If you want to buy back issues that don’t need to be in the high grade/price range then this is a good convention to attend.

I did have a bad experience with one dealer. He was selling some pretty beat up, low grade books and I saw some something I was interested in maybe buying, but the issue number wasn’t on the cover or written/stickered anywhere on the bag. So, I open it up to check the indica and the dealer jumps up at me telling me I’m not allowed to open books because it causes too much stress on the comics (there was no sign stating this). He then looked at the book, saw a small rip by one of the staples that was already there, said he didn’t know if it was there before I opened it up or not. I realized then there was no way I was going to buy anything from him as I don’t buy books I can’t inspect first (older books sometimes have missing pages and when they are in rough shape and other issues as well). I also had a sneaking suspicion he was about to try and guilt trip me of buying the book by suggesting I damaged it. As I left he goes from not knowing if the rip was there, too loudly “thanking”/accusing me of popping the staple out of the comic. I made a mental note to never go near his booth again.

I caught up with my friend Carla Speed McNeil who I hadn’t seen since before the pandemic. She was a judge for the Ringo’s which was being held during the convention. I got from her when and where the Ringo’s were being held with the intention of going there to see and maybe cover it. I tried getting a zTrip cab to go to the hotel it was at, but my phone listed me as having been picked up and delivered even though no cab had come. I tried booking it again, but no driver would accept the call as it was a short trip.

While waiting I overheard somebody wish somebody luck at winning the award tonight to two people who were walking away from my hotel. I asked if they were going to the Ringo’s and they were so I walked with them. Along the way the information about the safety level around Baltimore Convention Center was confirmed to me. I was told it was the kind of city where there are good and bad areas and the area around Baltimore Convention Center was a bad one. I was told it would be safer if a baseball game just ended and there were lots of people leaving the stadium (which is right beside the convention center), but that was not tonight.

When I got to the Ringo’s I noticed they were handing out badges to people and you needed one to get drinks (and later food). I went to the table and let them know they wouldn’t have a badge for me as I just showed up. I was told the next table over would make a badge for me. The guy at the next table asked me who I was and then refused, saying there wasn’t any open seating available, despite there being all the materials on the table to make a badge. I did explain I was press and was a judge for the Doug Wright Awards and previously the Eisner’s, but that didn’t matter. I wasn’t allowed to attend. I now know why there is very little coverage on the Ringo’s except for their press releases on who the judges, nominees and winners. It’s a very closed off, private shindig. Anyways, I was able to get a cab back to my hotel after talking to a human at the cab company.

Outside of that, I did really enjoy the show. With San Diego and TCAF they normally have a whole bunch of good panels going on, often at the same time and I need to pick and choose which ones I want to cover and I’m usually immediately going from 1 panel to the next. Baltimore had a more relaxed schedule with quality panels, which was much easier on me. There were only a couple of overlapping panels I would have liked to have been at, but had to miss. 6 panels over 3 days is an easy event for me. At San Diego I’ve done 6 panels in a day.

Click here for the 6 panels I recorded.

One thing I feel the need to highlight was how much the show provided for deaf/hard of hearing attendees. There were multiple ASL people working many of their panels doing sign language for those who might need it. That’s something I rarely see any other conventions do and it’s a nice way to include people that usually don’t get included. Those ASL volunteers need to be thanked as I know some of them didn’t know they would be called upon for their services until just prior to show. They went to show, not knowing if they would just be a regular attendee or volunteering for the show, but when they got the request, they stepped up and did it.

I also got to have nice conversations with Steven Grant and Paul Storrie, whom I haven’t seen in several years. I got to chat with Johanna Draper Carlson and meet her hubby KC for the first time, they gave me some background info on the convention. I wish I had taken more pictures and had more conversations with people as Baltimore Comic Con has the had best Artist Alley I’ve seen outside of NYCC. I’ve since heard the guests had a good time and the convention treats them well.

The Convention Center itself it pretty nice in that it has lots of room and seating on the 3rd floor (where the panels are) for when you want to get off your feet and way from the thick of it if you want. The isles for shopping weren’t super cramped either. They’ve got some space to handle larger crowds if they were to come. I was able to get some work done at the con itself instead of needing to do most of it at the hotel room at night. I didn’t go there but I understand there was a coin collecting convention at another part of the building too.

Baltimore Comic-Con itself was great, as was the convention center it was in. The volunteers/staff I dealt with were all fantastic too. The only shame is it’s a great show surrounded by not great experiences outside of the show, which they can’t really do anything about. It’s a convention that’s long been on my bucket list to attend one day. I’m glad to have gone but I’ve got other shows I’ve also been long wanting to attend that I’ll be doing before I consider going back.

My drive back to Canada was pretty straight forward as well, this time it went 9 hours as I stopped a 2nd time for gas (which is cheaper in the US than Canada) and to have a decent sit-down restaurant experience meal. The old Waze app worked well for getting me there and back. The ArriveCan app that we used to need to use to enter the country is no longer required so getting back into Canada is like it used to be pre-pandemic. I wore an N95 mask at the convention (not many people wore masks there) and thankfully didn’t catch Covid.

Toronto Comicon March 20th, 2022

So I went to my first comic convention since going to the Guelph Comic Jam in 2019.

Toronto Comicon took place on March 18th to 20th at the Toronto Metro Convention Centre. I went with a friend who like me, was a little anxious about going to a comic convention when Covid is still active. We decided to just go up and down for 1 day and do it on Sunday, which is the normally the least crowded day of the convention. I bought some N95 masks for us and hoped for the best.

Late last year when the Covid numbers were down the convention did put on a show and the reviews coming out was the organizers did a good job of spacing everything out, which was nice to hear. This convention in particular is a bit notorious for packing people in like sardines, leading to regular log jams when trying to make your way through the isles. Sadly this was more of the same, but they did require masks to be warn inside and from what I saw 99.9% of people complied. It was a large crowd (much bigger than I was expecting) but I only saw a few people walking around without a mask or wearing it under their nose.

I was told by multiple people that Friday was crazy busy. It seems there was pent up demand for a convention and people came out in huge numbers to participate in this one. Saturday was either almost as busy as Friday and Sunday was less busy as expected. Most of the comic guests were Canadian, with only a small number of Americans coming over the border to attend. This is likely due to the requirement that people pay for, take and provide proof of a negative Covid test just prior to coming into the country. I do not believe there are any tests required to travel to the US. I know I wasn’t asked to provide/take one the two times I drove over the border and back late last year.

Regarding the show I did a little bit of shopping and some catching up with creators I haven’t seen or spoken to in a couple years or more. I took some photos of creators and cosplayers and I attended and recorded a panel put on by Amy Chu and Dan Parent called Let’s Talk Story: Writing for TV and Comics. They spoke to a room with a fairly large number of aspiring writers and spent most of the time answering questions from them. It was mostly about comics but with a bit of TV writing thrown in.

As usual with conventions of this type there is always an odd moment that only happens at a comic book convention. Mine was in the bathroom after the show ended. I saw a guy trying to get out of his Spider-Man suit but couldn’t reach the zipper in the back, so I helped him out. In all it was a good, light show for me to get back into the swing of doing comic conventions again. Thankfully driving to the show and parking nearby was probably the best experience I’ve had attending this show ever. If they have another later this year and it feels safe I will probably attend it for multiple days.

 

San Diego Comic Con 2016

Joker Trump

I went to San Diego Comic Con again and this year things went a little differently for me.

First, I got a direct non-stop flight from Toronto to San Diego, which was nice because normally I have at least 1 layover ever when I fly there. On the flight back I saw quite a few comic peeps I recognized. The flight was also significantly cheaper than what I normally pay.

I landed in San Diego on Tuesday and got around to do some things in San Diego before the con, like go to the Coronado Beach. The sand looked like gold and I saw small crabs in the barnacles. I also saw the hotel that was in the Marilyn Monroe movie Some Like it Hot. I’m told it’s been used in a lot of TV shows and movies.

Normally I land in San Diego on Wednesday afternoon, go straight to my hotel, check and get lunch, unpack, relax for a bit, then head down to the convention to get my badge. All of this makes for a really long day, so coming in Tuesday made it much easier on me. The only problem is needing to find a Hotel for Tuesday only and having to pack up and leave on Wednesday to your comic con hotel. As I’ve learned a couple of years ago, even if you get the same hotel the staff will have a different room for you for the convention days and you’ll have to move to that room.

For the con itself what was different was that I didn’t spend that much time on the exhibit floor. There were days where I didn’t hit the exhibit floor at all. I didn’t go there on Thursday or Saturday. I was only on there for a bit on Friday and Sunday towards the very end. Normally I make it a point to walk every isle and see everything. This year I felt fine skipping about a 3rd of the exhibit floor.

In previous years in the non comic area’s you’d sometimes find booths with a couple long boxes of comics or trades. Often it would be a mix of odd stuff that they’re just trying to get rid of and you’d get a decent deal. The last couple of years I haven’t seen any comics at all in that area, so I skipped it. The publishers (big and small) and back issue dealers are primarily in Hall B & C then you find artists alley, some artists collective booths and original art dealers in Hall’s F.

I discovered some booths I normally shop at either had smaller spaces or reduced/changed what they had brought. Bud Plants booth was half of what it normally is. There were a couple of underground dealers that didn’t have much in the way of old underground collections like they normally did. I also noticed Mile High didn’t bring any GNs and was only selling back issues, which was a switch. As a result I bought less than I normally do there.

I don’t know how the publishers are doing when it comes to selling their books but I haven’t heard any complaints. When I typically walk by their booths I see lots of people in them. I did find it a little odd that the Image Comics booth didn’t have any Savage Dragon trades there. Considering Erik Larsen was an Image founder you’d think they’d bring something. It’s pretty sad when the publisher you help create decides to abandon you at the biggest show of the year.

The moment the con announced the show was closing in a half hour all the dealers started taking down their “wall” comics and packing up. I didn’t talk to many dealers about how the show went, but when dealers start packing up early (or at least as early as they’re allowed), that’s almost always a sign it was a bad show and they just want to cut their losses and get out of there ASAP.

I know dealers are increasingly unhappy with the con because they feel back issue buyers can’t get into the con because tickets sell out so quickly. I have no doubt that’s true, but I think there’s more to it. I think there are less people buying back issues than before. Those that do want a good deal (EG: below guide) and normally dealers that exhibit at San Diego can’t give them that deal due to the high costs of being there. Discounts don’t always pay for themselves with volume sadly.

I also suspect a lot back issue buyers are older and they don’t like the difficulty of getting tickets, a hotel room and the large crowds. Plus all that is really expensive. It’s much cheaper and more convenient for them to buy online and/or go to a closer, quieter convention. I’m wondering what a traditional comic convention might look like without any back issue dealers and I might actually see that within my lifetime.

The slower sales may also have something to do with the smaller crowds this year. It’s been said that San Diego’s switch to using badges with RFID chips made it harder for people to pass (or counterfeit) badges and get in. The less crowded exhibit floor was nicer for the attendee’s that were there. I suspect another reason the floor was less crowded was due to people playing Pokemon Go around the con. Even on Wednesday night I saw numerous people walking around in circles looking at their phones. One professional I talked during the day to told me his daughter was out playing Pokemon Go at that moment.

During my TCAF post I mentioned I was unhappy with my camera and was getting a new one. I got a Canon Powershot SX710 HS and am quite happy with it. There camera does not get the best rating on the various review websites, but it worked well for my purposes. I’m learning to not just blindly follow reviews & ratings and instead focus on what the pro’s and cons of the camera and applying that to what I’m using it for. I don’t think those reviewers have taking pictures at comic conventions and darkly lit award ceremonies in mind when doing their reviews.

I am especially happy with how using the sport scene worked on the Eisner Award pictures. I took a whole bunch of pictures in that mode (over 2,000 of them) but that allowed me to get better pics than usual. I’m typically in the pro seats behind the tables, which is quite a ways away from the stage. My camera ‘s 30X zoom was used to the fullest to get pics of people on stage and less than that was used on the big screens showing what’s happening on the stage.

Surprisingly I did not see any celebrities outside of the Eisner Awards. Normally San Diego is crawling with so many celebrities I end up seeing somebody somewhere even though I only focus on comics programming. For example, one year during a Ted Naifeh panel the back door opens up and Ron Perlman (Hellboy, Sons of Anarchy, etc..) walks out. He apparently just wanted to go outside for a smoke. He came back in after the panel was done and was giving an interview to a camera crew as the audience was leaving the room. Of course it’s entirely possible I did see one, but didn’t know it was a celebrity.

I was quite happy to be able to audio record some panels with creators whom I’ve never met in real life before like Christopher J Priest, Howard Chaykin and Mike Baron. I was only turned down by one creator but I knew in advance that was a strong possibility. I’m not bothered by it as I was able to record him at at another convention recently. The only disappointing situation I had was a creator who wouldn’t let you take a picture of him unless you bought a $15 print/sketch.

The panels I recorded can be found on the audio page of my other website. Also at that link is the Will Eisner Awards recording and pictures to both the convention and Eisner Awards. I should warn you that there is a bit of swearing of almost every panel. Off the top of my head the YA? Why Not? panel does not have swearing, but the rest I can’t vouch for. The saddest panel was the Darywn Cooke tribute, while you won’t hear this on audio I can tell you from being there that several panelists were in tears at the end. What’s also sad was that there was no tribute panel for Paul Ryan, who worked in the comics industry since the 1980s. I’m hoping a convention that’s local to where he used to live puts something on for him.

As always with San Diego there usually multiple panels I wanted to be at and record happening at the same time. I shockingly did not record a single panel that Mark Evanier was on.  The same goes for Paul Levitz except for a surprise appearance at the Fan vs Pro Comic Trivia challenge. I sometimes question the choices that I’ve made when it comes to which panels to cover, but in the end I’m very happy with all the panels I got. I just wish I had a 2nd person who could go to the panels I can’t be at and record them, despite the extra work that would bring.

The only panel I did not like that much was one about goal setting for creative people. I only came in part way through but it was clear to me that this was a rewording of a standard SMART goals course/lecture that almost everybody in business has to take at least once. The main difference was the presenter telling people to draw their goals instead of writing them down and an artist was demonstrating how to do so with large paper flip chart and markers.

There are official video recording of panels going on now. It’s something called Comic Con HQ but they are understandably only recording the panels with the widest commercial appeal thus far. Outside of the Will Eisner Awards which was live streamed online there is no overlapping between us that I know of. If they do decide to record everything I’ll have to decide if I want to keep recording or even if I can. Chances are they’ll want exclusive rights to the panels.

I also got to see and hang out with some friends which is always great, but there were many people whom I usually see that I missed this year or only saw very briefly / in passing. While that happens every year, it seemed more pronounced this year. I think I’ll have to make a more concerted effort to find and say Hi to people next year.

Of those that I did talk to Donald Trump’s name came up a lot when the conversion drifted outside of comics. Everybody was speaking about him in an “OMG how can anybody vote for this freaking lunatic?!?” type way. He was also the butt of many jokes when people were in front of a microphone.

I am very much looking forward to going back next year, where it’s the 100 year anniversary of Jack Kirby and Will Eisner. I learned that there are supposed to be extra panels on the two creators next year and that sounds great.

TCAF & DWA 2016

Steven Twigg at TCAF

Steven Twigg at TCAF

So I went to TCAF a week ago. I did my usual audio recording of panels and took some pictures of creators. Normally I try and get pics of all of the creators there, but I was unable to this time due to recovering from a cold and dealing with back pain.

This year’s TCAF was a little different in that the ground floor wasn’t so crammed with creators and publishers. One of the back rooms was being renovated so they weren’t able to use it. Other areas where they would normally have tables on both sides of the isle only had tables on the 1 side. This made walking around and browsing much more pleasurable. I also noticed a lot of new faces this year as well. I think having a bunch of different creators with new (thus more popular books) is good for the overall vibe of the convention. Seeing so many new/good things to buy I think gets people spending money and enjoying the event more. I imagine it leads a more positive conversations among creators after the event if they all sold a lot of books.

They were able to more effectively use the 2nd and 3rd floors in terms of putting creators up there. I doubt they got as much foot traffic as the usual places creators were but when I was there people were there browsing and shopping so I hope they did okay. They also put most of their big mainstream creators in a new spot (the Masonic Temple) which was about a block away from the Library. I never got to visit there but I’m told it was really nice. My understanding is the place was mainly used for signings and wasn’t a place where creators sat all day selling their stuff.

One panel I attended for myself was about dealing with back pain. It was aimed at creators who are at their drawing tables (or computers) all day. I did not record it because 1. I came in late after the panel started and 2. It was a very visual panel with lots of slides showing drawing of bodies and things you can do prevent and manage back pain. Personally it was a very useful panel and I’ll be seeking out Kriota Willberg for more information.

One of the oddest things I saw while in Toronto was a homeless person sitting on the sidewalk selling back issue sets of comics. I only got to do a bit of shopping myself and I did the majority of it in the last 10 minutes of the show. I bought Mary Wept at the Feet of Jesus by Chester Brown and Bernie by Ted Rall. I’m about half way through the Bernie book now and I’m enjoying it. The book is like comic version of a Bernie Sanders speech, but with historical and economic information to back up the points he makes. So far it’s covered income inequality and the move of the US Democratic Party to the Center/Right in the 1970s and how it doesn’t represent progressive Liberal voters.

I did something else I very rarely do at panels and that is ask questions. I did this at the Chester Brown panel that quickly went from being about the book to being about sex workers and how/why the Catholic church has worked to criminalize their profession. I don’t disagree with anything that was said but I think room started getting tense as not everybody was comfortable with the criticism of the Catholic church. I tried to steer the panel back to talking about the book. That said, Chester might want to consider making a book about the history of prostitution and how/why it’s illegal. I think much of what was said at the panel would make for some interesting reading.

The Doug Wright Awards were a bit different this year. For starters Brad Mackay wasn’t there due to a family emergency. Dustin Harbin stepped in to host the awards. Usually they get some celebrity involvement in the awards but there was none of that this year, which was fine as it wasn’t needed. The awards ran a bit quicker than usual which was good as they got off to a late start.

I feel I should note that I’m not that happy with my camera. Last year I bought a Panasonic Lumix DMC-ZS40 that had multiple review sites saying it was the best point and shoot camera out there. Those sites are wrong. The biggest problem with the camera is the Auto Intelligent Scene picker setting. The camera examines the shot you want to take and then picks the scene mode best for that shot. Sounds great doesn’t it? Problem is, nearly half of all the scene modes say it should be used with the camera on a tripod. So when you’re taking pictures by hand you get blurry or bad pictures and you normally have no way of knowing what you’re going to get.

I took the majority of the pictures at the show at either Portrait or “Food” setting, but still wasn’t happy with the results. Some of it is because the camera takes the shot right when the flash is shooting, which leads to wicked shadows behind the people and flash light washed out faces.  I plan on buying a new camera before San Diego Comic Con and I think I’m going to sell this one on Ebay. My previous camera took much better pictures but I stopped using it because of increasing delays between pressing the shutter button and getting the shot and also inconsistent flash settings. Also, it took 4 AA batteries, which increased the cameras weight and my backpack weight due to me having spares.

King Con 2016

KingCon2016

I went to King Con and a related event from March 11 to 13th. King Con is a local comic/gaming convention. Originally King Con was just a gaming convention, I never attended it but my understanding is it was on hiatus for a while before our local public library took it over last year. Now it’s half gaming convention and half TCAF like convention, but on a very small scale.

On the 11th, I went to the Screening Room (local mainly indy movie theatre) for a showing of Seth’s Dominion, which is a documentary about the cartoonist Seth. They gave out tickets for a door price of the latest Palookaville book. Seth gave a small introduction explaining that they were going to start with two short animated cartoons done using Seth’s work. One was called the Great Machine, the other Kao-Kuk. Seth wanted it known that these stories were not typical of his work.

The documentary was a mix of Seth talking about his life, his work – both personal and commercial, it showed a number of his friends talking about him, Seth’s parents were discussed too. I was surprised to learn about some of the things Seth does for himself, this includes developing puppets and doing a show with them and his building a large model city. In between all this are animated short Seth stories.

After the show there was a question and answer with Seth himself. I counted 35 people in the theatre. Among the things Seth revealed is his puppet work is going to become it’s own movie. Seth talked about his relationship with Joe Matt and Chester Brown and said they’ve grown apart because they don’t see each other very often. He said when they all lived in Toronto they were constantly talking comics and sharing their work with each other for feedback, but now that they’ve grown more experienced in their cartooning they don’t need that feedback anymore.

Seth talked about the importance of establishing rules in comics and working within them, then breaking those rules. Seth said he really liked the animation of his work in the documentary and he had nothing to do with it. Seth gave all the credit to the person behind the documentary director and animator Luc Chamberland. He liked it so much he’s now thinking about doing some work in Animation.

Seth revealed that the next Clyde Fans is almost done. He needs to revisit what he’s done and he believes he’ll be making some changes to it. Seth also talked about his relationship with computers. He said he went from hating them to tolerating and using them, but he still keeps his computer on the 3rd floor of his house while he works in the basement so it’s not a distraction.

Seth’s Dominion can be rented or purchased here at the National Film Board of Canada’s website. A DVD will be coming out soon is my understanding.

On Saturday and Sunday I went to the King Con convention itself. There were 2 panels featuring comic creators on Saturday and I’ve audio recorded them. One was on Dan Parent and the other on Seth. I also took some pictures, which are a mix of cosplayers and creators.

On Sunday I came back to chit chat with some of the creators, which was nice. I also came across a pirate musical group called Capt’n Tor & The Naer Do Well Cads. They were going around and singing songs, drawing people to tables that weren’t getting much traffic on the first floor. Here are 2 of their songs. Personally I like the 2nd one better, but both are fun to watch.

 

I only got a couple of books for myself at the convention, one was Lucifer’s Sword by Phil Cross and Ronn Sutton and Epochs #1 by Cody Yeo, Greg Moser and Christian Wolf.