Under Appreciated Comic Book Artists

What if I told you the artist that co-created the following characters:

Black Widow
Hawkeye
Mantis
Wonder Man
Sunfire
The Swordsman
The Mandarin
Crimson Dynamo
Titanium Man
Immortus
The Collector
Count Neferia
Mr. Hyde
Cobra
Power Man (would later become Goliath, then Atlas)
Living Laser
The Porcupine
Firebrand
The Living Pharaoh/The Living Monolith
The Rainbow Raider
Nubia
Happy Hogan
Pepper Potts
Alex Summers (would become Havok)
Lorna Dane (would become Polaris)
Dr. Bill Foster (would become Black Goliath)
Captain George Stacy

…is perpetually viewed as a lesser creator?

Don HeckDon Heck doesn’t get the respect he deserves. People often compare Heck to Kirby, Ditko and other creators that were working at Marvel during the 1960s and I think that’s really unfair. I get people look at their respective art/storytelling and prefer Kirby, Ditko, etc.. to Heck and find him the lesser of the bunch.

My argument is regarding his ability to co-create popular, long lasting characters. Many creators have tried to do this, be it for Marvel, DC, or somewhere else. Most attempts fail at reaching the level of success that any of the above list of characters. It’s really, really hard to come up with a character that other writers want to use in shared universe, that in the hands of other creators are entertaining enough that readers will be satisfied enough with the comic they purchased and buy the next one. It’s not like you can tick off a series of boxes in a ‘create a popular character’ manual and get guaranteed success. Don Heck came up with a bunch of those characters, collaborating with a variety of writers and did it for damn near 20 years.

I think if you were to look at his accomplishments and instead of comparing him against Kirby and Ditko, and instead compare them against everybody else who worked in the comic industry from the late 1930s to today, you’ll find that there are only a tiny handful of creators that have done more in that regard than Don Heck has. Many who’ve done less get a more respect than Don Heck does and I’m not saying they don’t deserve their respect, I’m just saying Don Heck gets a lot less than he deserves. Heck gets compared to Kirby and Ditko and he is the only artist that gets compared that way. Nobody looks at say, Jim Starlin or Walt Simonson and decides they are lesser creators because they weren’t Jack Kirby. Nor should anybody do that and they shouldn’t also do that to Don Heck.

Iron CrossAlso, please note that list above is only a partial list of characters Don Heck created. Earlier today I was researching who created a character named Iron Cross. The character made its debut in Invaders #35, but wikipedia said he appeared in issue #36. Checking on Grand Comics Database and reading the actual comic made it clear the character first appeared in #35. Wikipedia also says Frank Robbins was his co-creator despite not having drawn either comic. Don Heck was the artist who drew the first appearance of Iron Cross.

 

 

 

 

 

 

 

 

 

 

So I reached out the writer/editor of the comic and co-creator of Iron Cross, Roy Thomas and asked him who co-created Iron Cross with him. Below is his response to my e-mail (reprinted with permission):

Hi Jamie —

The artist who designed and first drew Iron Cross was Don Heck, fitting since he was also the first story-drawing Iron Man artist. Much of THE INVADERS #35 is taken from the abortive LIBERTY LEGION #1 that was prepared but then never published as a stand-alone comic; I had Alan Kupperberg add the sequence at the start of the issue, which of course doesn’t feature Iron Cross.

Thanks for the kind words,
Roy

So add Iron Cross to that list of characters that Don Heck co-created. I recognize that the character is not very well known or popular compared to the list of characters above, but he has very occasionally been used by other creators since his creation. The last appearance (outside of reprints) that I could find was a 2011 mini series called Invaders Now! done by Alex Ross, Christos Gage, Caio Reis, Vinicius Andrade and Simon Bowland. A new version of the character was created by James Robinson and Steve Pugh for a 2014 New Invaders series.

Something that’s a part of the Eisner Awards that I really like is the Bill Finger Award. It’s for comic book writers who were under appreciated and is given to a deceased and living creator every year. I wish there was a similar award for under appreciated artists. Personally I think it ought to be named after Harry G. Peter, who we have proof co-created Wonder Woman but is not officially recognized as such. All American editors at that time really didn’t like Harry’s work and didn’t want him drawing the title and only got the job at the insistence of Wonder Woman’s co-creator William Moulton Marston. Among the artists I think should be considered for such an award is Bob Brown, Dick Ayers, Paul Ryan, Alan Kupperberg and Don Heck.

* Image of Don Heck comes from League of Comic Geeks.

Joe Simon Interview

Originally published in December 1999. Joe Simon was the first golden age creator I interviewed. Being a comics historian I was happy to have interviewed him. He was able to clear up a question I had regarding Kirby’s claim of Spider-Man’s co-creation. I did this interview via fax machine, which was a mistake. I sent a list of questions and Joe wrote brief answers in whatever space there was between the questions and sent it back. With one exception (Dave Sim) I never did another interview via fax machine again.

 

An Interview With Joe Simon

 
Hello everyone. I’m back and this month I have an interview with Joe Simon! For those that don’t know, Joe Simon is one of the Golden Age creators that laid the foundation of the comic book industry. He is the co-creator of Captain America and *many* other hot selling titles and characters in the Golden Age. The amount of successful comics he did with and without partner Jack Kirby would take up a monster amount of space. You’ll just have to trust me when I say he’s done some good comics. Anyway, most of these responses were given to us via fax machine. Enjoy!
 
Jamie: Two years ago, the wife and daughter of Jerry Siegel filed copyright papers to get Jerry Siegel’s half of the copyright back in regards to Superman and related characters. In April of this year the copyright office awarded the Siegel heirs, saying they now regain their half of Superman, meaning profits from all new Superman products should be split 50/50 between Time Warner (DC Comics) and the Siegel heirs. As a golden age creator, what is your opinion on this?

Joe Simon: Good for the Siegels!

 

Jamie: Apparently the copyright law for cases like the Siegel heirs are for characters that were created before they began freelancing with a publisher. How often was it that a freelancer created a character and “shopped around” to find a publisher for it?

Joe Simon: I can’t speak for other creators. No one ever offered such a project to me – None that was credible, anyway –

 

Jamie: There seems to be a long standing dispute about you and Jack Kirby getting released as Editors at Marvel back in the 40’s. Has either Stan Lee or Martin Goodman fessed up to how Goodman found out you were working for DC on the side?

Joe Simon: Not that I know of – This was over 55 years ago, Stan told me he can’t remember last week.

 

Jamie: Which editors did you enjoy working with the most over the years?

Joe Simon: Which editor? I can’t think of one editor I worked with as an editor. The various companies did have editors but we always acted as our own editor, so the question has no answer.

 

Jamie: Do editors still ask you to do fill in stories for them?

Joe Simon: No. I get many requests to do articles + reminiscences – I’ve been too busy –

 

Jamie: Today your involved with licensing characters you created. How did you manage to get ownership of these characters considering the time period they were created in?

Joe Simon: Through contractual agreements

 

Jamie: The most famous licensing agreement you have is over Fighting American, which Rob Liefeld uses for his Awesome Comics line. Have you read the Fighting American comics he’s produced and what do you think of them?

Joe Simon: They are pretty exciting, graphically – Nicely printed. Great coloring

 

Jamie: Do you have any other characters licensed out? If so which ones and where to?

Joe Simon: Yes. Several Including the Fly to Batfilms

 

Jamie: What is Batfilms and how will the characters be used?

Joe Simon: Batfilm Productions are executive producers for the Batman films. The Fly is expected to be used as he was in the comic books.

 

Jamie: What is the craziest character you created?

Joe Simon: Craziest character? Jamie, they were all crazy. Who else would fly around in colored underwear? I think the cutest was Angel in Boys Ranch. Did you know that we never got around to revealing or determining the real name of Speedboy in Fighting American. I like The Geek, a rag-doll pretending to be human. The Prez, an adolescent in the White House, just like the current occupant.

 

Jamie: Do you know why Captain America became so successful when the Shield, a similar character appeared first?

Joe Simon: In my opinion, Cap was far superior

 

Jamie: Have you been reading Captain America comics over the years? If so which writer/artists team is your favorite?

Joe Simon: No – Sorry I haven’t been reading them –

 

Jamie: On your webpage, Simoncomics.com you say you created the original Spider Man which was then used by Jack Kirby, and later re-done by Steve Ditko into the character we know today. Can you explain how all this happened?

Joe Simon: It’s in the website. Click on Web Magazine

 

Jamie: Do you believe that Jack Kirby pitched the idea of Spider Man to Stan Lee?

Joe Simon: Yes. He admitted to it – Ditko confirmed it.

 

Jamie: Today comic fans are learning about the behind the scenes politics and editorial/writer/artist disagreements within comic companies, and how they are affecting stories. Was that present back in the golden age as well?

Joe Simon: Constantly.

 

Jamie: In a book called Comics: Between the Panels they have a quote from you where you say all History of Comics are crap. Can you explain why?

Joe Simon: I don’t believe I said that. What I meant was they’re all derived from hearsay and old clippings –

 

Jamie: The Comic Book Makers seemed to be a big success for you and your son Jim. Do you plan on doing any more comic history books?

Joe Simon: Possibly. We may do a second version.

 

Jamie: here are a number of comics with a “Suggested for Mature Readers” label on them, telling non-typical types of stories in them. Do you think this is a good thing?

Joe Simon: We did it first with Young Romance – But it was just a cover gimmick to entice buyers. The contents were very tame –

 

Jamie: What do you think is missing from today’s comics that would really entertain the readers?

Joe Simon: I haven’t read them. Haven’t seen any for years. DC and Marvel stopped sending them.