1st Mark Waid Interview

Originally published in February 2000. Mark Waid is almost always a great interview. He can be funny and snarky. It’s too bad Gorilla Comics (referenced heavily in this interview) did not pan out as planned. I should note the $400,000 number referenced in this interview came from a magazine article that looked into how much creative people in different industries get paid. Waid was featured for comic book writer and the article said he made that amount of money.

 

An Interview With Mark Waid

 
Mark Waid is known for many successful comics including Flash, Kingdom Come, Captain America and more. In the future he will be taking over DC Comics top comic, JLA and is starting up a new imprint with Kurt Busiek called Gorilla Comic. This month we were able to get plenty of information about Gorilla Comics and his new series EMPIRE! Plus we get some answers about JLA, Flash, Impulse, his short Avengers run, Hypertime and how much money he makes.
 

Mark Waid at 2012 New York Comic Con

Jamie: When I heard the rumors about the Gorilla imprint, it seemed a forgone conclusion that it would be done through Image Comics. What took so long to finally get the deal through?

Mark Waid: It never seemed like a foregone conclusion to US. We had companies vying for the rights to distribute what we published almost from the get-go, and it took us a while to winnow our choices down to the best–the fine folks at Image, who’ll back us all the way.

 

Jamie: The Gorilla line has been called Comics worst kept secret for several months now. Did the news/rumor leaks through Rich Rumblings website bother you in any way?

Mark Waid: Nah. That’s not to say I haven’t been pissed off by a thousand OTHER things Rich has reported, but this isn’t one of ’em. Besides, it was fun to see all the misinformation fly (“Bulldog” Comics?)

 

Jamie: There was a rumor of an editor, specifically Matt Idelson, helping oversee the Gorilla imprint. If there is an editor helping out the imprint can you tell us who s/he is?

Mark Waid: We are in the process of hiring a coordinating editor, but please, no resumes — we’ve already set our sights and are in preliminary negotiations.

 

Jamie: Is the editor you have your sights set on currently working at Marvel or DC?

Mark Waid: No comment. Sorry!

 

Jamie: What books will be coming out through the Gorilla imprint and what are they about? Can you give us details about the book(s) you and your collaborators will be working on?

Mark Waid: By now, you know about Kurt Busiek and Stuart Immonen’s SHOCKROCKETS; I can’t at this stage really give much information about my own launch the following month other than to say that, yes, it’s the long-promised EMPIRE, by myself and Barry Kitson.

 

Jamie: What is EMPIRE? What’s it about, the characters, setting, etc.. I want to know everything!

Mark Waid: Bone-chilling action coupled with satanic soap opera. EMPIRE is the near-future story of Golgoth, the first super-villain to actually WIN and conquer the Earth. Unfortunately, winning the crown and keeping it are two different things altogether. Now Golgoth must constantly watch out for traitors, for terrorists, even for extraterrestrials who were biding their time until he gathered all the reins of power. It’s also the story of his Cabinet of Ministers–evil and twisted all–and how they interact and scheme to gain the Empire themselves. This is not a bright, happy super-hero story. There are no heroes in EMPIRE. Only villains. Monthly beginning in May from myself, Barry Kitson, and colorist Chris Sotomayor.

 

Jamie: Will the Gorilla line be superhero comics only?

Mark Waid: Hell, no. We’re building a home where we can publish whatever the market will bear, and while I’ll probably never get tired of writing super-hero comics, I’ve always made an effort to write other genres–I loved writing the few Archie stories I had a hand in, and to me, IMPULSE was never a super-hero comic but rather a sitcom on paper.

 

Jamie: Will Gorilla comics be available on the newsstand market?

Mark Waid: No immediate plans, but we’d sure love to get there sooner than later.

 

Jamie: Will anybody be allowed to join the Imprint at a future date or just big name comic professionals?

Mark Waid: Who knows? Let’s just get off the ground first and see what the future holds. There’s no official membership “cap,” though a partnership of 27 isn’t exactly gonna be a Swiss watch.

 

Jamie: Don’t you find it ironic that an “Hot writer” based line is being publishing through a company founded by “Hot Artists”? Especially when some of which didn’t put quality writing as a priority in their own comics?

Mark Waid: Oh, I guess, but to be honest, I haven’t really thought about it much. The broader commonality is that none of us wanted/want to spend forever in work-for-hireland.

 

Jamie: Creator owned comics have a bad reputation for blowing deadlines. Can you give us any assurances that Gorilla books will come out on time?

Mark Waid: Without a crystal ball at my side, no–all I can assure you is that, if you look at our roster, Gorilla is clearly made up of industry professionals who’ve been hard at work for anywhere from five to (hi, George!) twenty-five years. We know what deadlines are, and we know how important they are.

 

Jamie: You and Kurt Busiek are DC and Marvel fans respectively. Will your Gorilla comics have homage’s from those universes?

Mark Waid: Can’t speak for Kurt, but mine won’t; with all due respect to the many talented people who’ve headed that way in recent years with some fun and excellent product, if I read another “homage” series, I’m gonna go postal. If I wanted to write Superman, I’d write Superman. If I wanted to write Dial H for Hero, I’d write Dial H for Hero. If I want to write something NEW, I go to Gorilla.

 

Jamie: Do you have any new work lined up with other publishers?

Mark Waid: Other than Black Bull’s GATECRASHER, nothing at the moment.

 

Jamie: I hear there will be some changes to the JLA lineup when you take over as the titles writer. Can you tell us what the changes are, why you want them and what characters will be in the new lineup?

Mark Waid: I’ve made no secret of the fact that I can’t juggle 14 JLAers without having an embolism. The core seven are what everyone expects, and I think Plas is iconic enough to have earned a slot beside them. That said, expect plenty of guest-shots, as needed, from everyone from Steel to Atom.

 

Jamie: Grant Morrison had a philosophy of JLA being something like The 12 Knights of the Round Table. How you do see the team?

Mark Waid: Like an All-Star baseball team.

 

Jamie: What would you have done with Avengers if your run lasted longer than 3 issues?

Mark Waid: Demanded an artist who could tell a story.

 

Jamie: During the 3 issues you introduced MASQUE and BENEDICT, two plot lines that are still left dangling. Who were these characters and what were they to do or become?

Mark Waid: Hell if I know. Don’t you know the Marvel Marching Drill by now? “I was just following orders.” Jesus, even I don’t remember someone named “Benedict”…guess it’s time to crack open the back issues…

 

Jamie: Do you have any consultation or input in Impulse’s own title or his use in Young Justice?

Mark Waid: In his own title, yes; each month, editor L.A. Williams extends me the unheard-of courtesy of sending me black-and-white advances for my comments, and I’d like to give him his public props for that. I don’t, however, have much TO say–writer Todd DeZago, besides being a good friend of mine, has a terrific handle on the character. And with YOUNG JUSTICE, I trust Peter.

 

Jamie: Some people reading your and Brian Augustyn current Flash now assume Hypertime’s purpose is to write stories that don’t have to adhere to continuity. Is that Hypertime’s purpose?

Mark Waid: Ghaaaaaaaaaaaaaaaaaaah.

No. Hypertime has no “purpose” any more than the color red has a “purpose.” Hypertime was introduced both as a way of expanding the ever-shrinking, ever-regulated, ever-constricting DCU and as a way of tipping the hat to old-time readers who are tired of being told the stories they read and loved “never happened.” It was introduced to remind people that comics aren’t about rules, they’re about flying. And don’t draw ANY conclusions from the current FLASH run yet–there ARE purposes to the STORY, and only Brian and Grant and I as yet know what they are….

 

Jamie: You have been one of the writers credited with digging comic books out of the Grim and Gritty heroes. Then you and Brian write a Flash who is very grim and gritty. Why?

Mark Waid: Just pitching a change-up, man. Gotta stay versatile. Gotta keep you on your toes.

 

Jamie: Hey, last year you made around $400,000! Did you make that kind of money again this year?

Mark Waid: My accountant would be stunned to hear that. If by “around,” you mean “way, way, way, way less than,” then I guess so. Believe me, I NEVER made 400 grand in a year, not even close. I did have a couple or three really good years for which I’m really grateful, but salaries and royalties across the board have been a lot more realistic for quite a while, my friend….

 

Peter David Interview

Originally published in January 2000. I have to give Peter David credit. Around this time there was a big Peter David vs. Erik Larsen war that was being fought both online and within Erik’s Savage Dragon and Peter’s Incredible Hulk titles. I was firmly on the Erik Larsen side and on occasion gave Peter a hard time. Still, I very much enjoyed his run on the Hulk (specifically the Dale Keown/Gary Frank years), Spider-Man 2099 and Young Justice, so I wanted to interview him. I suspected when I sent him the request he would (deservedly) blow me off. Instead he accepted and he’s always been really nice to me in person whenever we’ve met at conventions.

 

An Interview With Peter David

 
If you have been reading Marvel or DC Comics you probably know who Peter David is. If you read Star Trek and other sci-fi books, pay attention to who writes certain TV shows, movies, cartoons, etc.. you also probably know who Peter David is. He is all over the place with his written work and has gained a fan following and an alt.fan newsgroup devoted to him. Today he talks to us about the comic titles he writes and his other media work.
 

Peter David at 2010 C2E2

Jamie: Will the first year of Captain Marvel stories be earth bound or more in space?

Peter David: A balance of both. I think I’ve actually hit upon a way to do a combination of adventures that is going to be rather unique. Most of the time when you’re dealing with a character who is earthbound but with space roots, it’s an either/or proposition. And while you’re busy doing one, people crab that you’re not doing the other. I’ll actually be doing both: Earthbound activities and visits to far off worlds.

 

Jamie: Why is Moondragon in the Captain Marvel series? Was there a particular reason you chose her?

Peter David: I wanted someone with no sense of humor to play against Rick Jones and Genis.

 

Jamie: What villains will be popping up in Captain Marvel? Any chance that Thanos will appear?

Peter David: I’d have liked to use Thanos, but he’s just finishing with an extended stay in Thor. I think if he immediately jumps over to Captain Marvel, it’d be overdoing it. Wendigo is in issue #2, then Drax shows up and his appearance winds up triggering an unexpected series of events. The Hyssta will be back, the Surfer will probably be showing up, as will Starfox. Possibly Terrax. Probably Comet Man, who hasn’t been seen for a while. And Super Skrull would be kinda cool.

 

Jamie: What’s happening with Dark Horse’s SpyBoy? It got very little publicity.

Peter David: Actually, Dark Horse has been promoting the hell out of it. It’s been heavily publicized in the Diamond Catalogue, in CBG. They did a big push for it at San Diego with promotional material, and there’s a website. The problem is that retailers have given it little-to-no support, which is somewhat annoying. Here on the one hand I’ve got fans always saying I should branch out, work for publishers other than Marvel and DC, try characters off the beaten track. And then the retailers order bare minimum. They don’t order it as they would, say, “Young Justice.” They order it like a low-end Dark Horse book.

 

Jamie: We don’t hear too much about your own independent title, Soulsearchers and Co. What is going on with that?

Peter David: Claypool Press doesn’t exactly have a huge promotional budget. Look at your own questions: Dark Horse has been promoting the heck out of Spyboy, and you say it gets no publicity. So here’s Claypool which doesn’t even have Dark Horse’s resources, even though ads run for them regularly in CBG. Trying to get the attention of fans and retailers is a full time job. In terms of the book itself, we’re getting up to issue #40. It really kills me: Fans say to me, “Write a humorous book for a small indy publisher, something you have total control of.” And I say, “Soulsearchers and Company. Been doing it for about seven years now.” And they say, “What’s that?” Retailers swear we don’t exist.

 

Jamie: You would think that Captain Marvel Jr. would fit in perfectly with Young Justice. Why is he not on the team?

Peter David: Too much stylistic overlap with Superboy. But he will become an integral part of the book, at least for a little while.

 

Jamie: Will there be any line up changes in Young Justice after the Arrowettte story is over?

Peter David: Mebbe.

 

Jamie: You’ve mentioned that you have a major Supergirl story arc coming up with issues #45 to 50. Can you give us any information on it?

Peter David: Matters with Carnivean are going to come to a head, leading to confrontations between the three Earth Angels, and a showdown between Carnivean and God with most unexpected results.

 

Jamie: You also let it known publicly that this story could be used for a major company event. Has there been any development on that yet?

Peter David: No, and I haven’t been pressing it. I’m still shellshocked after “Sins of Youth.” If I’m just able to go ahead and tell my story and be left alone, I’ll be a happy camper.

 

Jamie: I have to wonder, was the decision to turn Supergirl into an angel an attempt to get some religious comic readers to try out the title?

Peter David: No, it was an attempt to give the book a unique and different tone and feel.

 

Jamie: Do you plan on keeping Supergirl an Angel for the rest of your run?

Peter David: That would be telling.

 

Jamie: Are you at all worried about Supergirl’s future with the Siegel’s Superman and all related characters copyright ownership legal situation?

Peter David: I try not to worry about things over which I have absolutely no influence whatsoever.

 

Jamie: What is your opinion on the Copyright Termination going on with the Siegel’s and now Joe Simon?

Peter David: Well, I figure writers have little enough protection. If the law is designed in a way that they’re able to use it legitimately to their advantage, go right ahead.

 

Jamie: When the Image founders put out a press release talking about ‘Holding Back’ their better characters for creative controlled work you blasted them. Now that this seems to be happening all over again but with a new set of big name creators, do you still feel the same way?

Peter David: I didn’t blast them for “Holding Back” their better characters for creative controlled work. I blasted them for putting out a press release so badly written that any reasonable reading of it made them look like complete assholes. I also said that friends and business made a volatile mix, and that they should either hire or appointment someone to be the single spokesman. In the subsequent months and years, Image (a) admitted that the press release was not well worded, (b) forced out founding members, and (c) hired a single spokesman. In other words, everything I said was true…but oooo, I “blasted Image.” Gimme a break. As for Gorilla, shock of shocks, their publicity statements and press releases have been flawless. So what’s to complain about?

 

Jamie: Is there any chance you will join Gorilla/Image with your own creator owned series sometime down the line?

Peter David: I have my standards. I would have strict requirements for joining Gorilla. First, they’d have to ask me to join. Second…uhm. No, that’s pretty much it. But they haven’t asked. Never heard boo from them, actually. I figure they probably feel that the last thing they need when launching a new imprint is to have some loudmouth schmuck as a loose cannon associated with them.

 

Jamie: With all your writing in comics and other media you must be a very busy man. How long does it take you to write an issue and how do you write it?

Peter David: Most of the time, Marvel style. Takes a few hours to write a plot. A few more to write the dialogue.

 

Jamie: Your writing often uses many popular media references/jokes. Do you think they’ll ever be a time where the audience won’t find that stuff funny anymore?

Peter David: I don’t necessarily use it for humorous effect. I use popular media references to give the stories–which frequently have a very unreal feel to them–some degree of reality. As for jokes, I don’t think it’s necessarily that what I write is funny. It’s just that so many other books have little-to-no humor in them that my stuff is a contrast. I don’t say that to knock other writers: Whatever works for them, more power to them. But there’s plenty of funny lines and situations in, say, the average “Spenser” novel. No one says, “Whoa, do your read those hilarious Spenser books?” The average Indiana Jones movie has tons of hysterical bits occurring at even the most serious of moments. People don’t consider those comedic. But throw a few gags into a comic and people think the whole book is humorous. Usually I use gags to set up something serious. Hopefully that will never go out of style.

 

Jamie: Something you wrote must be coming out soon. Any comic titles, books, TV shows, movies, etc.. you can tell us about?

Peter David: More New Frontier books, the three books in the Centauri Prime trilogy. A short film that Bill Mumy and I are working on. Berkley Books is rereleasing the Psi-Man books under my own name in the genre of SF, which is how the damned things should have been released in the first place. That should be enough to keep folks happy.

 

George Perez Interview

George Perez – 2003 HobbyStar Toronto Fan Expo

This was originally published in June 2000.

This interview became a wake up call for me. Normally when somebody got some breaking news other sites would mention it and link to the source. It was seen as ethical, without it being formally defined in that way. George Perez leaving the Avengers (which was a top selling book at that time) was major news and it wasn’t announced anywhere yet. When I told Comic Book Resources I was stunned to see that instead of mentioning it and linking to the interview, they instead contacted George, got confirmation and then announced the news themselves as if they broke it. I learned after that to not give them anymore news. The internet comic community, which used to be very volunteer minded, co-operative place was now commercial. The desire to maximize traffic to make money was now more important.

Anyway, I’ve seen George at many conventions over the years and he’s always been super nice to me. He’s generally known as one of the nicest creators out there.


An Interview With George Perez

George Perez has been working in the comic industry for about 25 years. While some hot pencilers come and go, he’s is one of the very few that remains a fan favorite through the years. He has a long list of very popular works behind him both in DC and in Marvel. Among them, Teen Titans, Wonder Woman, Crisis of the Infinite Earths, and currently Avengers. George answers all sorts of questions and gives us some details about when he is ending his run on Avengers and starting his new work Crimson Plague, coming out through Gorilla Comics.

 

Jamie: We have heard lots from Mark Waid and Kurt Busiek about why they formed Gorilla Comics, but we have yet to hear from you. What is your reason for doing comics through Gorilla?

George Perez: The chance to be in full control over my own work is way too tempting to resist. However since I was on exclusive contract with Marvel, I couldn’t work on any new projects until July 2000 when my Marvel contract expired. Except for CRIMSON PLAGUE, which predated that contract With Event Comics seemingly on hiatus while Joe Quesada and Jimmy Palmiotti worked on marvel Knights it seemed the perfect time and place to restart the series. With Joe and Jimmy’s generous blessings, CRIMSON PLAGUE became my contribution to the Gorilla launch.

 

Jamie: Crimson Plague is coming out again through Gorilla Comics (Image). For those that don’t know anything about the series, what is it about?

George Perez: It’s about a genetically engineered woman who was first discovered as an embryo inside a dead woman on a mining colony on one of Jupiter’s moons. As the woman (named DiNA: Simmons) grew to maturity it was discovered that her blood was becoming more and more toxic until it was capable of totally disintegrating any organic or non-organic matter. And since DiNA: is a woman, the scientists learn that her menstrual blood could become an airborne virus capable of destroying an entire planet. She becomes a walking crimson plague– and that plague is on its way to Earth.

The artistic gimmick for this series is that every featured character is modeled and named after a real person. There really is a Dina Simmons (who is now pursuing a modeling career using the DiNA: Simmons spelling of her name). It’s a real artistic challenge.

 

Jamie: After the one shot, will Crimson Plague turn into an ongoing series? If so can you draw both it and Avengers at the same time?

George Perez: CRIMSON PLAGUE is scheduled as a limited series, currently eight bi-monthly issues, although that may change. As for AVENGERS, my contract expires in July and it looks like I won’t be continuing with it as a penciler past Issue #34, another double-sized issue. I just need to take a break from the monthly grind for a while and I’ve been offered a few short-term assignments that I’m looking forward to working on.

 

Jamie: What all happened with that eHeroes.com thing? Fans are still confused.

George Perez: As of now, there are still talks going on and, hopefully, this will all be settled by the end of June. I wish I could be more definite and forthcoming, but I’m just waiting with guarded optimism. Things look promising though and Gorilla Comics will survive regardless.

 

Jamie: Will Gorilla Comics be keeping their TPB’s in print and accessible like DC Comics does?

George Perez: That’s one of the cornerstones of Gorilla policy.

 

Jamie: Avenger fans wonder and worry how long you’ll be on the series. Any definite answer?

George Perez: I think I answered that already. It hasn’t been announced officially, but I see no reason in keeping it mum now. I should explain that this decision has nothing to do with my working relationship with anyone on the AVENGERS team. I love them all. It’s just that, according to my last medical check up, I need to slow down. My blood pressure’s up and my diabetes needs to be controlled better. That means more exercise, among other things, and my current schedule just doesn’t allow that. I’ll still be doing a lot of work; it just won’t be on a monthly title for a year or so.

 

Jamie: If you could add one more character to the Avengers, simply so you can draw them who would it be (excluding the Beast)?

George Perez: Tigra. I love the babes.

 

Jamie: You have done a lot of costume designing for Avengers, do you have a favorite?

George Perez: The Scarlet Witch. I think her costume is a perfect reflection of her character.

 

Jamie: Kurt Busiek is big on creating minority characters and made the amount of them on the Avengers team a major plot line. What is your feeling on minorities and their portrayal in the Marvel Universe?

George Perez: As a member of minority group myself, (I’m Puerto Rican) I must say that the issue never really meant anything to me one way or another. To me a hero transcends racial barriers. It is nice to see different races represented, but I’m more likely to follow a character because he or she or it is written well and drawn well. I do, however, enjoy characters having distinctive personalities and often that is well-served by the character having a unique background that distinguishes him her or it from the other. For example, I always liked what Victor Stone (Cyborg) brought to the Teen Titans dynamic. Ironically, the one Puerto Rican character I am credited for creating, the White Tiger, was actually created by writer Bill Mantlo. I just visualized him, using my childhood as reference. But it was Bill who gave that character his soul.

 

Jamie: There is a rumor floating around that after Avengers you and Kurt are going to do a series for DC featuring their Golden Age characters. Any truth to it?

George Perez: None whatsoever. Besides, I wouldn’t have wanted to compete with the memory of James Robinson’s and Paul Smith’s GOLDEN AGE. I thought that was great.

 

Jamie: You had once penciled a JLA vs. Avengers crossover that never saw print. One side says it didn’t come about because of politics, the other (Jim Shooter) said it was because of bad writing and when the writing got fixed you had found other projects to do. What is your take on that mess?

George Perez: To tell you the truth, this is a very old topic and my position is already well-documented, so I’ll just let it pass. All I can add is that, regardless of statements to the contrary, there was no other project I wouldn’t have dropped if the JLA/AVENGERS project ever had gotten greenlighted.

 

Jamie: Some people had doubts that you could keep a monthly deadline when it was announced that you were penciling Avengers. How do you draw all those details and keep the book coming out regularly?

George Perez: With great force of will and little sleep. Actually, it’s the only way I know how to draw. I love groups and details. I just had to work on my work discipline. Despite my health problems, I’m proud of that achievement.

 

Jamie: Where did you get your art training and how did you develop your popular style?

George Perez: I’m self taught and my style was based on emulating the artists whose work I admired.

 

Jamie: Who are your art influences?

George Perez: This is always a hard one. There are so many. Among the comic artists my first major influences were Curt Swan, Jack Kirby, Neal Adams, Gil Kane, John Buscema, Barry Windsor-Smith, Jim Starlin, Nick Cardy, Mort Drucker, George Woodbridge, Leonard Starr, Murphy Anderson, the list goes on and on, and continues growing. Outside the comics field I’ve been forever inspired by the likes of Norman Rockwell, Alfonse Mucha, N.C. Wyeth, Virgil Finlay, Salvador Dali, M.C. Escher, Bob Peak, Richard Amsel and so many others.

 

Jamie: If you weren’t an artist what would you be doing?

George Perez: Probably interviewing an artist.

 

Jamie: You have been a very popular artist for a long time, while many hot artists turn lukewarm in a few years. To what do you owe your longevity?

George Perez: I haven’t the foggiest idea. I try to maintain a certain level of excitement to my work and never sacrifice storytelling for flashy visuals– although they are not mutually exclusive. I just hope that my love for what I’m doing is evident– and contagious.

 

Jamie: Which of your many projects on are you proudest of?

George Perez: Inking Curt Swan on “Whatever Happened To The Man Of Tomorrow?” A dream come true.

 

Jamie: Are there any writers you have yet to work with that you’d really like to?

George Perez: Yep. If Alan Moore, Frank Miller, Neil Gaiman, Mark Waid, James Robinson, Grant Morrison, Devin Grayson, or Garth Ennis are ever interested in working with me, I’d be proud to be in any of their company.

 

Jamie: As of late we’ve had Siegel’s family, Joe Simon and now Martin Nodell ask for their characters copyrights back. What is your take on these events?

George Perez: I’m all for creators getting all the rights they can and there seems to be little dispute about the validity of the Siegel’s claims. There does appear to be some disagreement with the others, and I’m not familiar enough with those cases to make a valid judgment. Speaking strictly from a moral and artistic standpoint, however, I believe that all these creators were screwed out of just rewards for creating characters that have netted millions for their respective publishers. But then again, business decisions are seldom made by artists and moralists.

 

Jamie: I hear you are involved with a few charities. CBLDF just gave you a DEFENDER OF LIBERTY AWARD for the money you raised for them over the last three years. Can you tell us which charities you work for and what you do for them?

George Perez: I do pretty much the same thing for all of them. I go to conventions and draw like crazy, donating all my commissions to charity. I also boost the amount by printing up some color prints (colored gratis by my friend Tom Smith) of my CRIMSON PLAGUE characters DiNA: Simmons and Shannon Lower and those girls hawk them and pose for photos — all for donations. Among the organized charities I’ve worked for are The Charlotte Firefighter’s Burned Children Fund, The Muscular Dystrophy Association, Make-A-Wish, Florida Hospital Diabetes Association and The Juvenile Diabetes Association. I’ve also raised money to help some friends in dire financial straits and have presided over a few charity auctions as well. Interestingly, the CBLDF is the only charity that I ever have to explain or justify — and that makes it all the more imperative that we never take it for granted.

 

Jamie: I notice you are now posting on the ApeNation.com Message board, but you are very rarely seen elsewhere on the internet. Do you visit any other comic related web sites or gatherings (like Usenet)?

George Perez: No. I browse and lurk from time to time, but I’d never get any work done if I sat and typed answers all day — like I’m doing now. Hmmm.

 

Jamie: Anything else you’d like to say to the readers?

George Perez: Only that I’d better get back to work — or else they’ll have nothing of mine to read next month. Take Care.